WHERE DO YOU GET YOUR IDEAS?

Where Do Your Ideas Come From?
Authors are often asked, “Where do you get your ideas from?” It’s a fair question. I have been fascinated with the metaphysical and the unseen universe as far back as I can remember. My favorite authors as a kid were Poe and Asimov, and then, when I got a little older, I started to delve into Jung. I did a lot of research for another book of mine, Ouray’s Peak, which is about the Ute Indians, and their world. Their lives are so connected with the Earth, with nature; they have the ability to hear and see and feel the things that lie beneath, the things for the most part that modern man has lost the proficiency for. I’ve read a good deal of Tom Brown and his Tracker series; he was a great influence. When I moved to California, I worked with Cahuilla Elder, Dr. Katherine Siva Saubel. She told me many things, among them, she told me about whistling for the wind. She lived in a dry desert climate, and when the heat became too much, she knew how to purse her lips together and blow gently to summon a cooling breeze. All of these things came together for me in the creation of the central character in the Stone Quest Series, Luke Stone. Creating Luke was akin to creating an alter ego; like bestowing upon myself those magical powers I could only read about and wish for.
The first book in the series is Desert Chimera. When we first meet Luke, he is only 28 years old, forsaken in the desert in the middle of torrential rains, and assaulted by apocalyptic visions. His mentor of seven years, the Cherokee shaman whom he calls Grandfather has suddenly died, and Luke has been on a desperate cross-country quest that has led him here. We find him praying in agony, but his prayers are answered not by the one he seeks, but by the One he thought he’d escaped seven long years ago, his nemesis, the black magician Armand Jacobi. Now, Luke must face the true horrors of his past. The ensuing battle will either be Luke’s final destruction or his ultimate redemption. During this struggle, Luke will also meet fellow travelers, whose lives will be placed in his hands, one of whom, Consuelo Arroyo, will open his heart.
Desert Chimera actually began as the play Desert Wolf. The play was produced at the Inter Act Theatre Company in North Hollywood. Besides the character of Luke, I had become enamored with the relationship between Luke and his mentor/nemesis Armand Jacobi. Desert Chimera explores this relationship, the relationship, really between good and evil, and between love and hate that dwells at the very center of Luke Stone and Armand Jacobi. The most interesting relationships, the ones we can’t forget or get over, the ones that haunt us for a lifetime, are the ones that are the most complex and not so simply reduced to right or wrong.
In the second book of the series, Gallows Ascending, Luke has left the desert; he has left Armand Jacobi, and has begun a new life at the edge of the sea in New Camen, New Hampshire. His first wife, Consuelo, whom he met in the desert, has died, and Luke meets Dr. Beth Rutledge with whom he falls in love. Accused of the murder of her daughter, stripped of her license to practice medicine, her marriage to prominent politician Adrian Mountzaire in tatters, Beth is haunted nightly by the chilling visions of a woman’s death by hanging, Then, a young boy goes missing, and Adrian Mountzaire turns up dead, lying in the sand right next to his wife. Now, Luke, the tracker, must not only find the missing boy but also the real killer of Mountzaire in order to save his newly beloved wife from the fate that haunts her dreams.
But his own dreams—nightmare hauntings—of Jacobi are never far behind him. Deep into the night, as Beth sleeps restlessly beside him, Luke finds himself allowing his mind to wander, allowing himself to unleash his psychic gifts and to furtively search that parallel universe to see if he can catch a glimpse of the man he served as disciple and almost destroyer.
The third book in the series, Neuri Shape-Shifter, finds Luke and Beth’s marriage reeling as their daughter Bridget Grace at thirteen struggles for autonomy, her psychic abilities as she approaches menses, if anything, to Luke’s chagrin, even greater than his. Adding to the tumult is the case of three missing girls vanished from the Lower East Side of Manhattan where Luke lived as the disciple of Armand Jacobi. Luke’s investigation into the missing girls takes him to the raging Vampire Club scene where ominous signs point irrefutably to Jacobi’s involvement. Then, on the day of Luke’s birthday, BG vanishes, leaving behind only a cryptic note. Gregorian chants hum, Catholic Saints animate, and fairy lanterns glow as Luke Stone is once again drawn into combat against the black magician, chasing his nemesis from New Camen, NH to Alphabet City, NY, to the Leelanau Peninsula of Michigan in a battle to save his daughter’s life.
From the power of an idea, to the love of a character, to the force of a relationship, to the appeal of place, it is from these seeds that spring the stories writers tell. But here’s the secret every writer knows: We are but the vessel. Because when we are in tune, when we are in sync, we only transcribe what bubbles up from the stream of unconsciousness; what our characters incessantly whisper to us as we scribble furiously to catch their words before they fade away.
In the end, I’ll never know definitively what power led me ultimately to Luke Stone and through him to Armand Jacobi., and through both of them through the ever-widening creation of the Stone Quest Series. I know it is a place in which I love to dwell. I found myself one late summer’s day, just as golden day was turning to purple twilight, apropos of absolutely nothing, explaining to a friend why I write: “I can create my own world,” I told him. “I can make anything I want happen there. The characters’ lives turn out exactly as I wish them, too.”
Except of course, that was a fallacy: The characters’ lives, if I am in tune—If I am doing it all exactly “write”—turn out exactly the way they dictate they should.

DESERT CHIMERA FIRST BOOK IN STONE QUEST SERIES #FREE #KINDLE APRIL 14

DC_PRINTMy Kindle Select Novel Desert Chimera, the first book in the Stone Quest series introduces the reader to psychic tracker and visionary Luke Stone will be offered free on April 14th.

Desert Chimera was first envisioned as the play Desert Wolf, and presented at the Interact Theatre Company, directed by Dave Florek, and starring Dave Florek (Prince of Belle Aire, Grace Under Fire, Captain Ahab, Audi among countless other television and film roles) in the role of Luke Stone with Greg White as Armand Jacobi, Tina Carlisi as Mack Starr, Ivonne Coll as Consuelo Arroyo (later replaced by Denise Blasor due to Ivonne’s demanding schedule), Bette Rae as Eppie Falco, and Jeris Pondexter as Leo.

After a very successful performance at the Interact, I decided to adapt the play to a novel to delve more deeply into the tantalizing relationship between Luke and his nemesis the black magician Armand Jacobi, the man who picked him up off the streets of New York City as an urchin run-a-way, healed him, and tutored him in the occult arts.

Desert Chimera explores the complicated relationship between these two men, Luke Stone and Armand Jacobi, and more deeply, the complicated relationship between good and evil.

When I first began developing the material, I read biographies of Scientology creator L. Ron Hubbard as well as biographies of Church of Satan leader Anton LeVay. Both of these larger-than-life figures inform the character of Armand Jacobi.

I was also reading Tom Brown’s books about the man Grandfather who lived in the woods of New Jersey and lived by his preternatural tracking skills. Mr. Brown’s work influenced me greatly in the development of the character of Luke.

Desert Chimera  delves into Luke’s paranormal universe, his psychic visions, and his power of healing. But balancing the metaphysical aspect, the book explores Luke’s budding romance with one of the fellow travelers he finds at Eppie Falco’s Desert Inn and Cafe: the beautiful Consuelo Arroyo. These fellow travelers have gathered at Eppie’s Desert Inn in the midst of a torrential rainstorm. Now, with the arrival of Luke’s nemesis Armand, they are held hostage as the mercurial Jacobi exerts his will and power over Luke to gain his ultimate desire.

Throughout the book, throughout his journey both in the physical and on the metaphysical plane, Luke struggles with the concept of good versus evil, and ultimately with the even larger question: why should he choose good?

Not unlike the question ordinary people face every day, but on a rather magnificent scale. Luke struggles in the heart of Death Valley as torrential rain strikes, and as Armand Jacobi holds the fate of fellow travelers and his newly beloved in his powerful twisted grip. As the battle builds between the rivals, Luke is confronted with the full horrors of his past, horrors he’d thought he’d escaped from seven long years before.

But, Luke learns. no one can run from his past.

No matter how far or how fast you run, your past will always be there– whether it be just around the corner up ahead, at the tip of the next rocky mountain peak, or in a cafe in the heart of Death Valley– to slam right up against you.

Please visit my web site for more information: www.violethillsproductions.com

And be sure to visit my Amazon page: http://amzn.to/YomRl1

http://www.amazon.com/dp/B00B8Xe36U

Those of you who follow my blog my have seen my guest blogger Richard Stephenson’s  post last week. His best-selling novel Collapse will be offered free on Kindle on April 14th as well.